The Nether
Directed by Taylor Fono, Scenic Design by Jon Yawn, Lighting Design by Lydia Brinkman
The Children's Hour
Play by Lillian Hellman, Directed by Alissa Mortimer, OU School of Drama 2016, Lighting Design by Olivia DeLuca, Costume Design by Riley Smith
In creating a visceral and physically imposing environment, I incorporated Georgia O’Keefe’s Pink Sweet Peas Two to encompass the theme of exploitation of female characters in platonic and romantic relationships.
O’Keefe Panel Process
Angels in America
UV Mural Designer and Painter
Play by Tony Kushner, Directed by Susan Shaughnessy & Fabrice Conte, School of Drama 2018, Lighting Design by Aaron Wade and Brandon Wade, Scenic Design by Jon Yawn, Photography by Emil Jraissati & Jenn Bobo
In Angels in America, the angel’s appearance is a pivotal moment in the script and is described as having an overwhelming presence. To achieve this in our production, I collaborated with the directors and lighting designers, where we came up with a pair of painted ultraviolet wings disguised in a graffiti mural on the upstage wall. Using Rosco’s UV paint and Microcube fixtures, I was able to hide the wings during the show and reveal them during the angel’s appearances.
Check out Rosco Spectrum Blog post on these wings!
Watch a video transition from stage light to Uv LIGHT during Angels in America: Perestroika.
Lucia di Lammermoor
Opera by Gaetano Donizetti, Oklahoma University Theatre 2018, Directed by William Ferrara, Lighting Design by Carin Brooks, Costume Design by Lloyd Cracknell, Photos by Jenn Bobo and Wendy Mutz
Scale Model
1/4" = 1'0"
City of Angels
Musical by Larry Gilbert, OU University Theatre 2018, Directed by Shawn Churchman, Lighting Design by Olivia Deluca, Costume Design by Ben Burton & Riley Smith
